Cíntia Molter is a Brazilian filmmaker, cinematographer, and sound artist based in São Paulo. She graduated in Cinema, specializing in Cinematography, from the Escuela Internacional de Cine y Televisión (EICTV, Cuba, 2022–2025), and in Film Directing from the Academia Internacional de Cinema (AIC, Brazil, 2018–2019).
Her filmmaking practice ranges between documentary and fiction, with research focused on the relationships between image, sound, and territory from contexts of the Global South. She works as a cinematographer on films presented at international festivals, including Limbo (MIDBO, Bogotá, Colombia) and El Último Día de Verano (CRFIC, Costa Rica; Kinoforum, São Paulo; Biarritz, France; Premios Pávez, Ibero-American Competition, Spain). Currently, she is the cinematographer for the feature film Rio Negro, currently being produced in the Brazilian Amazon.
Her experience also includes working as a first and second camera assistant on Latin American film productions. Her artistic research extends to analog photography and sound art. She is a member of the Deriva Cartográfica collective, a national analog photography collective, with which she published the photobook Voltei Porque Te Amo (2023), and is the co-creator of Frecuencia 3, a cross-border sound creation process presented at the Havana Biennial (2025).
His work seeks to find ways to re-enchant the world through the relationships between image, sound, body, spirit, and territory.